Carol Welsman brings her vocal and piano skills to team up with Rufus Reid/b, Lewis Nash/dr, SWallace Roney/tp, Jay Azzzolina/g and Steven Kroon/perc for some fresh takes of standards and jazz tunes. She’s got a calm and wistful voice, and it works well on the modernly swinging material such as “Day By Day” and the cozy and cymbal tapped “My Ship.” She sounds intimate with Kroon’s percussion and Azzzolina’s guitar on “Sand in My Shoes” whele she struts in high heels with Roneys trumpet on “The Blues Are Out of Town.” Her piano work is reflective on the tender and glowing “I Didn’t Know About You” and is as clear as the stars on “If The Moon Turns Green.” Lots of allure here.  February 18th, 2016

Review by George W. Harris
Original Review


Ten years ago, jazz artist Carol Welsman was diagnosed with ductal carcinoma in situ (DCIS), an early form of breast cancer.

“I was out on tour, and I had the biopsy and the doctor said, ‘I’ll only call you if there’s a problem,’” Welsman remembers. “And sure enough, he rings half an hour before I’m going on stage. I have to say it was very eye-opening to have a brush with mortality at a young age, and I appreciate life so very much more.”

Luckily, if DCIS is caught early—as it was in Welsman’s case—it is treatable. She underwent a rigorous six-week session of radiation treatment to reduce the risk of it returning, and celebrated a decade of being cancer-free in October 2015.

“The surgeon, every time I go see him, he says, ‘Get out of my office; you’re a success story,’” she says with a laugh. “I don’t mind being kicked out of an office for something like that.”

But Welsman kept her struggle quiet, not even telling certain members of her family that she had been diagnosed with cancer. It wasn’t until she reached her 10-year milestone last October that she decided to go public with the news.

“A couple of my brothers didn’t even know,” she says. “I didn’t want to tell them because I thought they might just get worried. The word ‘cancer’ is sometimes a difficult word in this business, and now I feel like I really have crossed a milestone here.”

That milestone also occurred around the time Welsman was getting ready to release her 11th studio album, Alone Together, a carefully curated selection of jazz standards and lesser-known tracks ranging from the Charlie Parker solo “Disappointed” to “It Might As Well Be Spring” and “I Didn’t Know About You.” The title itself is meaningful for Welsman, too, as it serves as a nod to her performance style: she has always accompanied herself on piano, so she was essentially alone on stage but together with the music, particularly at the beginning of her career.

“When you sing and play piano you’re able to form a sound and you’re using a special palette of colour, and I was really able to form my signature sound before the band joined in and made it that much better,” she explains. “When you add three or four musicians you suddenly have such a wealth of different colours and styles.”

Being able to accompany oneself on stage allows for a certain amount of control in terms of musical direction, and Welsman’s aforementioned style has explored a gamut ranging from Latin influences to more traditional jazz nuances—the latter of which is prevalent on Alone Together. 

“When I spoke with the producer [Corey Allen] he said he really wanted me to concentrate and go back to my jazz roots and do a very traditional jazz album, which is unlike a lot of the previous albums that I’ve done,” Welsman says. “I went back into my repertoire when I was at Berklee College, back when I was 17 or 18 years old. And I literally looked through all of the songs I was given to learn by my piano teacher or that I sang for recitals.

“It was really a question of digging back into that file and finding some signs that were real gems and not over-recorded,” she continues. “Like ‘Disappointed,’ that song, which is a Charlie Parker solo, things that are real jazz things—nobody can say, ‘Oh, this is from a show on Broadway.’ This is a saxophone solo, somebody put lyrics to it and nobody’s ever sung it.”

Once she had rediscovered some of these old favourites, Welsman set to work interpreting them in different ways, such as adding new time signatures to the pieces, or artistic flourishes on the piano.

“Usually the lyrics of the songs suggest a lot to me,” she explains. “You actually don’t have to go very far to find some really great ideas that turn into colours in the music.”

Written by Meaghan Baxter
Original Review

Do you have to be a great scat singer to be a great jazz singer? Neither Frank Sinatra nor Billie Holiday scatted much, but both are among the greatest jazz singers of all time. Still, brilliant vocal improvisation sure doesn’t hurt, as the Canadian-born singer/pianist Carol Welsman proves on several tracks of her new album, Alone Together. Welsman, a six-time Juno nominee with an international following, scats in a way that discloses a keen harmonic sense and complements her highly proficient piano playing. She combines the two in her uptempo, hard-bop treatment of the Sinatra standard “Day By Day,” scatting along with a soaring, rewarding piano solo. And her a cappella scat introduction to the title tune is a knockout. Great scatting is just one of the tools in Welsman’s arsenal on this, her 11th album. Backed by a stellar band—bassist Rufus Reid, drummer Lewis Nash, trumpeter Wallace Roney and guitarist Jay Azzolina—she displays unerring taste with her choice of material, bringing a spot-on reading of Eddie Jefferson’s “Disappointed” (a vocalese version of Charlie Parker’s solo on “Lady, Be Good”) and an exquisite version of “Killing Time” by Jule Styne and Carolyn Leigh.

Review by Allen Morrison

Downbeat Digital Edition
Download Article PDF

It has been a learning curve …
Carol Welsman, one of Canada’s main Jazz exports, has arrived full circle with her new album; Alone Together.
Following a Top Five ranking by USA Today of all genres for her last album ‘ Reflections of Peggy Lee’, Welsman’s confidence and skill have never been so high. Being included with the likes of Barbara Streisand and Mark Knopfler tends to have that type of effect.
Please listen below as Carol explainsher mindset on the new album and how the Japanese are more ‘respectful’ of American Jazz. Carol?

Interview with Rick Keene